SABINE-zine
Issue #12
March 9, 2004
SABINE-zine #12W

Inside this issue...
 SWM7000 in Sweden
Wireless Coyotes!
 SWM7000 Beltpack Tips

More on Sabine Products:
True Mobility®
Graphi-Q
Power-Q
Real-Q2

Sabine at NSCA
March 19-21, 2004
Booth # 1711

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Welcome to the twelfth issue of our e-mail newsletter, designed to help you get the maximum benefits from using Sabine products. Please feel free to subscribe or make a suggestion (to subscribe, please put "subscribe" in the subject line of your e-mail).
NEWS: The Future of Wireless at Sweden's Museum of Modern Art
Eight Channels of Sabine 2.4 GHz Wireless Microphone Systems Installed

Sweden’s Museum of Modern Art has invested in the future of wireless — Sabine’s 2.4 GHz wireless microphone systems.

“After evaluating the product, the museum decided the Sabine SWM7000 was their best choice for several reasons,” states Börje Jälmefors of Visono Media AB.

According to Jälmefors, one key reason was Sabine’s use of the 2.4 GHz band, rather than the overcrowded 800 MHz. “Sabine’s superior audio quality, built-in functions for sound processing and RF-scan was also important for their choice,” asserts Jälmefors. Read more...

The Museum of Modern Art in Stockholm, Sweden

POWER USERS: Frank Wilt at Coyote Ugly Saloon DC
SWM7000 Tames Coyotes at Washington's Hot New Club

"We chose Sabine SWM7000 2.4 GHz wireless systems because every Sabine transmitter gets its own built-in feedback control, compressor/limiter and mic modeling, and even comes with a battery-charging mic clip,” asserts Frank Wilt of Washington Entertainment Technologies. “No other wireless has features like it!”

Wilt recently installed five Sabine dual-channel wireless microphone systems, with ten handheld transmitters, into the three-story Washington DC Coyote Ugly Saloon.

A longtime user of Sabine equipment, Wilt appreciates the cost- and space-effectiveness of the Sabine 2.4 GHz wireless systems. "We would need two additional equipment racks on each floor for feedback control and digital signal processing, and a six channel mixer to get the same functionality that we get with the SWM7000s," says Wilt.

Coyote at work with Sabine SWM7000 Handheld Microphone. Photo by Macreadyphoto.com

“The Sabine wireless makes setting up in an unfriendly-RF environment much easier,” states Wilt. “Coyote Ugly is adjacent to a massive condominium filled with WiFi networks and several construction areas with radio-equipped heavy machinery operating in the UHF band.” Read more...

 
WIRELESS TIPS: SW70-T Beltpack PAD Settings
Easy Steps to Ensure the Best Sound for Everything from Low-output Mics to High-output Electric Guitar & Basses
As in all audio equipment, the setting of the input level is crucial to achieving the best sound quality. The SW70-T is designed to accept both mic- and instrument-level settings. Setting minimal PAD levels (-3, -6, or -10 dB) may produce a distorted sound if you are using a high output microphone or instrument. Conversely, setting a more extreme PAD level (-40, -37, or -34 dB) may require you to raise your system gain unnecessarily, resulting in a noisier output.
Watch the input meter on either the transmitter or the receiver (see illustrations) and set your level so there are at least three indicators illuminated for normal program level, with an occasional move to the fourth indicator. The fifth and biggest indicator denotes clipping – watch out! If you see clipping, choose a lower pad setting (for example, from -10 to -14 dB).
  1. Select input: Use the transmitter’s Select button to scroll through functions until GUI (instrument) or MIC (microphone) appear. Use the Up or Down buttons to select the correct Input for your application. Selection is stored after 3 seconds of inactivity.

  2. Select PAD function: Use the Select button again to scroll through functions until PAD flashes in the transmitter LCD.

  3. Select PAD setting: Use the Up or Down buttons to select the desired setting. Selection is stored after 3 seconds of inactivity.

  4. Check for clipping: Have the performer speak into the mic or play the instrument in a normal fashion as you check to see if the receiver’s Audio Level Meter stays out of the Clipping Zone.


Left: Beltpack transmitter LCD being set to "-14"
Right:
LCD now showing maximum peak audio input without clipping.

 
The input audio meter on the transmitter is duplicated in real-time on the receiver LCD. The last segment indicates clipping. Set the transmitter pad to get the highest peak input level without clipping!
  Suggested PAD settings
  • Microphones
    (low-output)
  • Microphones
    (standard)
  • Acoustic instruments (with low-gain pickups)
  • Electric guitars
    (with low-gain pickups)
  • Microphones (with higher gain)
  • Electric guitars
    (standard)
  • Instruments (with high-gain pre-amps)
-10 dB -14 dB -20 dB -26 or -30 -34 dB
   

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